A Selection of Marie’s Books
AUTHORED WORKS
Dangerous Bodies: Historicising the Gothic Corporeal (Manchester: Manchester University Press, 2016 – paperback May 2018)
Gothic Immortals: The Fiction of the Brotherhood of the Rosy Cross (London and New York: Routledge Library Editions [1990] 2016)
British Poets and Secret Societies: Freemasons and Clandestine Brotherhoods (Beckingham and New York: Croom Helm/Routledge Revivals [1986], 2014)
DATA-BASES/ELECTRONIC RESOURCES
Madness: 300 Years of Madness a listing and guide to the microfilm collection of primary texts at Cambridge University Library, part 1 (Marlborough, Wiltshire: Adam Matthew Publications, 2008)
Gothic Fiction: A listing and guide to Rare Printed Works from the Sadleir-Black Collection of Gothic Fiction at the Alderman Library, University of Virginia co-authored with Alison Milbank and Peter Otto (Marlborough, Wiltshire: Adam Matthew Publications, 2002-3)
Sex and Sexuality, 1640-1940: Literary, Medical and Sociological Perspectives, a listing and guide to part 1: Sources from the Bodleian Library, Oxford and the Wellcome Institute for the History of Medicine, London, a microfilm collection of primary texts (Marlborough: Adam Matthew Publications, 2001)
EDITED BOOKS
A scholarly edition of Caroline Norton’s novel, Love in “The World”, co-edited with Ross Nelson for Anthem Press, 2023.
Angela Carter’s Pyrotechnics: A Union of Contraries, co-ed. Charlotte Crofts(London: Bloomsbury, 2022)
The Selected Letters of Caroline Norton, 3 vols, co-ed. Ross Nelson (London: Pickering and Chatto/Routledge, 2020)
The Arts of Angela Carter: A Cabinet of Curiosities (Manchester: Manchester University Press, 2019), paperback March 2022
Global Frankenstein, co-ed. Carol Margaret Davison (New York: Palgrave, 2018)
Strange Worlds: The Vision of Angela Carter, co-ed. Fiona Robinson (Bristol: Sansom & Company, 2016)
Literary Bristol: Writers and the City (Bristol: Redcliffe Press, 2015)
The Handbook to the Gothic, rvd edition (Basingstoke and New York: Palgrave and New York University Press [1998], 2009), Japanese translation 2015 by Shigeki Kanasaki, Yukari Kanzaki, Koichi Sugata, Yoko Sugiyama, Chikako Nagao and Kazuko Hina
The Collected Letters of Rosina Bulwer Lytton, with the assistance of Steve Carpenter, 3 vols (London: Pickering and Chatto, 2008) in The Pickering Masters Series
Writing for their Lives: Death Row USA (Chicago and Urbana: University of Illinois Press, 2007)
Rosina Bulwer Lytton, Cheveley: A Man of Honour in Silver Fork Novels 1826-1841, General Ed. Harriet Devine Jump (London: Pickering and Chatto, 2005)
Pleasure in the Eighteenth Century, co-ed. Roy Porter (London: Macmillan, 1996)
Secret Texts: The Literature of Secret Societies, co-ed. Hugh Ormsby-Lennon (AMS, New York, 1995)
Controversies in the History of British Feminism, 6 vols, co-ed. Tamae Mizuta (London: Routledge /Thoemmes, 1995)
The Educators: Female Education
The Workers: Women and Labour
The Suffragists: Towards the Vote
The Rebels: Irish Feminism
The Opponents: The Anti-Suffragists
The Militant: Christabel Pankhurst
Rosina Bulwer-Lytton, Shells from the Sands of Time, ed. Marie Mulvey-Roberts (Bristol: Thoemmes Press, 1995)
Perspectives on the History of British Feminism, 6 vols, co-ed, Tamae Mizuta (London and Bristol: Routledge /Thoemmes, 1994)
The Radicals: Revolutionary Women
The Wives: Rights of Married Women
The Mothers: Controversies of Motherhood
The Campaigners: Women and Sexuality
The Militants: Suffragette Activism
A Militant: Annie Kenney
Out of the Night: Writings from Death Row assisted by Benjamin Zephaniah, preface by Michael Foot (Cheltenham and Concord, Mass: New Clarion Press, 1994)
Rosina Bulwer-Lytton, A Blighted Life (Bristol: Thoemmes Press, 1994)
Sources of British Feminism, 6 vols, co-ed, Tamae Mizuta (London and Bristol: Routledge /Thoemmes, 1993)
The Pioneers: Early Feminists
The Exploited: Women and Work
The Reformers: Socialist Feminism
The Disempowered: Women and the Law
The Disenfranchised: The Fight for the Suffrage
The Militants: Suffragette Activists
William Thompson and Anna Wheeler, Appeal of One Half the Human Race, Women, Against the Pretensions of the Other Half, Men, to Retain Them in Political, and Thence in Civil and Domestic Slavery, ed. Michael Foot and Marie Mulvey-Roberts (Bristol, Thoemmes Press, 1994)
Literature and Medicine During the Eighteenth Century, co-ed. Roy Porter (New York and London: Routledge, 1993)
Women’s Studies in Transactions of the Eighth International Congress on the Enlightenment, II (Oxford: The Voltaire Foundation, 1992)
Explorations in Medicine, co-ed. David Lamb and Teifion Davies (London: Gower and Avebury1987)
SHORT WORKS (BOOK CHAPTERS AND ENTRIES)
Introduction, co-written with Ross Nelson, Caroline Norton’s novel, Love in “The World”, co-edited with Ross Nelson for Anthem Press, 2023.
“Crossing Gender: Andy Warhol’s Candy Darling, America and Angela Carter’s The Passion of New Eve”,Rethinking Identities Across Boundaries – Genders/Genres/Genera, ed. Mariaconcetta Costantini, Claudia Capancioni and Mara Mattoscio (Palgrave Macmillan, 2023), forthcoming
“Middle English, Merlin and the Medieval Worlds of Doctor Hoffman”, ‘The world is made of words’: Angela Carter translator – Angela Carter in translation,ed. Martine Hennard Dutheil de la Rochelle (Routledge (Literary Translation Series, 2023), forthcoming
“Frankenstein’s Frontispiece, the Missing Phallus, and the Pornographer: The Alchemy of Conceiving Monstrosities”, Monstrosity, Identity, and Music: Mediating Uncanny Creatures from Frankenstein to Video-Games, edsAlexis Luko and James K. Wright (London: Bloomsbury, 2022), pp. 9-26
“Introduction: Fireworks: Angela Carter’s Incendiary Imagination”, Angela Carter’s Pyrotechnics: A Union of Contraries, co-ed. Charlotte Crofts(London: Bloomsbury, in press), pp.1-13
“Introduction: Angela Carter’s Curious Rooms”, The Arts of Angela Carter: A Cabinet of Curiosities, ed. Marie Mulvey-Roberts(Manchester: Manchester University Press, 2019), pp. 1-16
“Angela Carter’s ‘rigorous system of disbelief’: Religion, misogyny, myth and the Cult”, The Arts of Angela Carter: A Cabinet of Curiosities, ed. Marie Mulvey-Roberts (Manchester: Manchester University Press, 2019), pp. 145-165
“Edward Bulwer Lytton and Poisoned Prose”, The Palgrave Handbook of Steam Age Gothic, ed. Clive Bloom (London: Palgrave Macmillan, 2021), pp. 97-112
“‘The very Worst Woman I ever heard of”: Representations of Rosina Bulwer Lytton”, Mary Hays’s ‘Female Biography: Collective Biography as Enlightenment Feminism, ed. Mary Spongberg and Gina Walker and Mary Spongberg (London: Routledge, 2019), pp. 133-147
“Radical Women in Bristol: The Three Marys and Mary Wollstonecraft’s ‘The Cave of Fancy’”, Exploring the Lives of Women 1558-1837, eds. Louise Duckling, Sara Read, Felicity Roberts and Carolyn D. Williams (Barnsley, Yorkshire: Pen and Sword History, 2018), 57-66
“Monstrous Dissections and Surgery as Performance: Gender, Race and the Bride of Frankenstein”, Global Frankenstein, ed. Marie Mulvey-Roberts and Carol Margaret Davison (New York: Palgrave Macmillan, 2018), pp.53-72
Introduction: Global Reanimations of Frankenstein”, Global Frankenstein, ed. Marie Mulvey-Roberts and Carol Margaret Davison (New York: Palgrave Macmillan, 2018), pp. 1-17
“Angela Carter, 1940-1992, Novelist”, The Women Who Built Bristol 1184-2018, ed. Jane Duffus, (Bristol: Tangent Books, 2018), pp. 93-4
Forward to Sister Ruth Agnes Evans, Light Travelling: A Sequence of Poems on the Incarnation (submitted)
“Michael, Byron and prisoners on Death Row” “Michael goes waterskiing in the Lake District” “Dinner jacket for donkey jacket” “The greatest pizza in Europe” “Barred from the Frankenstein House”” and “Van Morrison, Mick Jagger and Michael Foot” for Brian Brivati’s edited book on Michael Foot (submitted)
“Introduction” co-authored with Fiona Robinson, Strange Worlds: The Vision of Angela Carter, ed. Marie Mulvey-Roberts and Fiona Robinson (Bristol: Sansom & Company, 2016), p.10
“Art and Angela Carter”, Strange Worlds: The Vision of Angela Carter, ed. Marie Mulvey-Roberts and Fiona Robinson (Bristol: Sansom & Company, 2016), pp. 36-9
“Selected Loan Artwork”, Strange Worlds: The Vision of Angela Carter, ed. Marie Mulvey-Roberts and Fiona Robinson (Bristol: Sansom & Company, 2016), pp. 40-65
“The Female Gothic Body” for Women and the Gothic, eds Avril Horner and Sue Zlosnik (Edinburgh: Edinburgh University Press, 2016), pp. 106-19
“Introduction: Literary Bristol” for Literary Bristol: Writing the City, ed. Marie Mulvey-Roberts (Bristol: Redcliffe Press, 2015), pp. 7-28
“Gothic Bristol: City of Darkness and Light” for Literary Bristol: Writing the City, ed. Marie Mulvey-Roberts (Bristol: Redcliffe Press, 2015), pp. 29-58
“The After-lives of the Bride of Frankenstein: Mary Shelley and Shelley Jackson”, Women and Gothic, ed. Maria Purves (Newcastle upon Tyne: Cambridge Scholars Publishing, 2014), pp. 81-96.
Preface for Tyler R. Tichelaar, The Gothic Wanderer: From Transgression to Redemption: Gothic Literature from 1794 to Present (Ann Arbor, MI. Modern History Press, USA, 2012)
“Edward Bulwer Lytton”, “Poison” and “Secret Societies” in Encyclopaedia of the Gothic, ed. William Hughes, David Punter and Andrew Smith, 2 vols (Oxford: Wiley-Blackwell, 2013), vol 1 pp. 93-96, vol 2 499-501, 602-607
“Cinematic Femme Fatales and Weimar Germany in Elizabeth Hand’s The Bride of Frankenstein: Pandora’s Bride”, Twenty-First Century Gothic: Great Gothic Novels since 2000, ed. Danel Olson (Lanham: The Scarecrow Press, 2011), pp.50-9
“Mary Shelley”, Encyclopaedia of Literary Romanticism, edited by Andrew Maunder (New York: Facts on File, 2010), pp. 400-4
Co-authored with Joanne Goldsworthy, “Revolutionary Mothers and Revolting Daughters: Mary Wollstonecraft and Mary Shelley, Anna Wheeler and Rosina Bulwer Lytton”, Woman to Woman: Female Negotiations during the Long Eighteenth Century, eds. Louise Duckling, Angela Escott and Carolyn D. Williams (Delaware: University of Delaware Press, 2010), pp. 63-78
“Memorial for Michael Foot 1913-2010”, Women’s Writing, 18: 3 (November 2010)
“From Bluebeard’s Bloody Chamber to Demonic Stigmatic”, The Female Gothic: New Directions ed. Diana Wallace and Andrew Smith (London: Palgrave, 2009), pp. 98-114
Preface, “Charlotte Dacre”, “John Polidori”, The Handbook to the Gothic, ed. Marie Mulvey-Roberts (Palgrave: London and New York University Press, 2009), xviii-xix, pp.21-22, 75-76. There will also be a Japanese translation.
“His prints we read” Jacobitism in William Hogarth’s masonic narratives and Edgar Allan Poe’s The Cask of Amontillado”, Freemasonry in Music and Literature, edited by Trevor Stewart (Canonbury Masonic Research Centre, London, 2005), pp.104-122
“Menstrual Misogyny and Taboo: The Medusa, Vampire and the Female Stigmatic”,
Menstruation: A Cultural History, ed. Andrew Shail and Gillian Howie (Basingstoke: Palgrave Macmillan, 2005), pp.149-61
“Rosina Bulwer Lytton” for the Knebworth House catalogue (Knebworth: Knebworth House, 2005), pp.8-9
“Writing for Revenge: The Battle of the Books of Edward and Rosina Bulwer Lytton” for The Subverting Vision of Bulwer Lytton: Bicentenary Reflections, ed. Allan Conrad Christensen (Newark: Delaware University Press, 2004), pp.159-174
“A Spook Ride on Film: Carpenter and the Gothic”, The Cinema of John Carpenter: The Technique of Terror, ed. Ian Conrich and David Woods (London: Wallflower Press, 2004), 78–90
“Rosina Bulwer Lytton”, Oxford Dictionary of National Biography, ed. H.C.G. Matthew and Brian Harrison (London: Oxford University Press, 2004), 34, pp.993-5.
“Rosina Bulwer Lytton”, The Literary Encyclopaedia, ed. Robert Clark, EmoryElliott and Janet Todd(2003) http://www.LitEncyc.com
“Edward Bulwer Lytton” and “Mary Wollstonecraft Shelley”, Gothic Writers: A Critical and Bibliographical Guide, eds Douglass H. Thomson, Jack G. Voller and Frederick S. Frank (Westport, Connecticut and London: Greenwood Press, 2002), pp.83-89, 389-99
“Women Writers – Censored by Gender”, “Anglo-American Women’s Writing” and “Chinese Women’s Writing”, Censorship: An International Encyclopedia, ed. Derek Jones (London: Fitzroy Dearborn, 2001), pp. 2637-8, 2639
“Debauchery”, “Frankenstein”, “Ghosts”, “Hunchback”, “Masks”, “Rejuvenation” and “Vampires,” The Oxford Companion to the Body, edited by Colin Blakemore and Sheila Jennett (Oxford: Oxford University Press, 2001), pp. 198, 295-6, 317,371, 448, 585-6, 704-5.
“Feminism: First Wave British”, Routledge International Encyclopedia of Women’s Studies, ed. Dale Spender and Cheris Kramarae (New York: Routledge, 2000), 2, pp.759-763
“The Corpse in the Corpus: Frankenstein, Rewriting Mary Wollstonecraft and The Abject”, Mary Shelley: Fictions from Frankenstein to Falkner, ed. Michael Eberle-Sinatra (London: Macmillan Press, 2000), pp.197-211.
“Militancy, Martyrdom or Masochism? The Public and Private Prisons of Constance Lytton, Votes for Women, ed. June Purvis and Sandra Holton (London and New York: Routledge, 2000), pp.159-180
“Charlotte Dacre”, “Constance Lytton” “Mary Ann Radcliffe” “Mary Robinson” “Anna Wheeler”, Cambridge Guide to Women’s Writing in English, ed. Lorna Sage (Cambridge: Cambridge University Press, 1999), pp. 164, 404, 518, 538
“Mary Hays,” “Priscilla Wakefield,” “Clara Reeve,” “Hannah More,” and “Letitia Matilda Hawkins,” The Dictionary of Eighteenth-Century British Philosophers, ed. John W. Yolton, John Valdimir Price and John Stephens (London and Bristol: Thoemmes/Routledge, 1999), pp. 418-419, 916-17, 738-9, 639-40, 416-17.
“Dracula and the Doctors: Bad Blood: Menstrual Taboo and the New Woman in Dracula”, Bram Stoker: History, Psychoanalysis and the Gothic, ed. William Hughes and Andrew Smith (London: Macmillan, 1998), pp.78-95
“Introduction”, “Ann Rice”, “Mary Shelley”, “Rosicrucian Fiction”, “Schauerroman” and “Sturm und Drang”, The Handbook to Gothic Literature (London: Macmillan, 1998), pp. xv-xviii, 188-89, 210,215,282-3, 283-4, 286-7.
“The Importance of Being a Freemason: The Trials of Oscar Wilde”, Danger and Decadence Writing, History and the Fin de Siècle, ed. Tracey Hill (Bath: Sulis Press, 1997), pp.138-49
“Pleasures Engendered by Gender: Homosociality and the Club,” Pleasure in the Eighteenth Century, ed. Roy Porter and Marie Mulvey-Roberts (London: Macmillan, 1996), pp.48-76
“Gothic Fiction”, “Medicine and Literature”, “Mary Shelley” in Reader’s Guide to Literature in English, ed. Hawkins-Dady (London: Fitzroy Dearborn, 1996), pp. 332-33, 477-78, 719-20,159
“Science, Magic and Masonry: Swift’s Secret Texts” and Introduction, Secret Texts: Literature and Secret Societies, ed. Marie Mulvey-Roberts and Hugh Ormsby-Lennon (New York: AMS Press, 1995), pp. 97-113
“Masonics, Metaphor and History: A Discourse of Marginality?” Language and Jargons: Contributions to a Social History of Language, ed. Peter Burke and Roy Porter (Cambridge: Polity Press, in association with Blackwells, Cambridge, 1995), pp. 133-155
“Masculinity, Masonry and Millenarianism: Oscar Wilde and the Rose-Croix”, Writing The End, ed. Jacqueline Hurtley, et al (Barcelona: PPU. 1994), pp. 145-159
“Blake,” “Burney,” “Burns,” “Byron,” “Clubs,” “Freemasonry,” “Godwin,” “Prostitution,” “Rosicrucians,” “Secret Societies,” “Swedenborg,” “Vampires” in A Dictionary of Eighteenth-Century World History, ed. Roy Porter and Jeremy Black (London: Blackwell, 1994), pp. 183, 103-4, 106-7, 162-3, 267-8, 190-1, 607-8, 673, 711, 758-9
“The Mad Scientist, Male Mid-Wife and Female Monstrosity: Appropriation and Transmutation in Frankenstein,” A Question of Identity: Women, Science and Literature, ed. Marina Benjamin (New Brunswick, New Jersey: Rutgers University Press, 1993), pp. 59-73
“A Physic against Death: Eternal Life and Enlightenment: gender and gerontology,” Literature and Medicine during the Eighteenth Century, ed. Marie Mulvey-Roberts and Roy Porter (London: Routledge, 1993), pp.151-67
“Mary Shelley, Gender, Immortality and the Rosy Cross,” Reviewing Romanticism, ed. Robin Jarvis and Phil Martin (London: Macmillan, 1991), pp.60-7
“Muriel Spark,” Dictionary of British Women Writers, ed. Janet Todd (London; Routledge, 1989), pp. 634-7
“Burns and the Masonic Enlightenment” in Aberdeen and the Enlightenment, ed. Jennifer J. Carter and Joan H. Pittock (Aberdeen: Aberdeen University Press, 1987), pp. 331-8
Marie Mulvey-Roberts 